Rape in Romanesque Art Essay -- Art

The Rape of Ganymede great(p) in San Madeleine in Vzelay is a depiction of the story of the rape or abduction of Ganymede. On its front face the capital features an eagle property the young guard boy, Ganymede, in its mouth. Ganymede is being held upside down helplessly with a seem of terror on his face. On the left are two adults holding their heads and staring helplessly at the eagle taking the boy. On the serious side is a demon looking out at the attestant sticking its tongue out in happiness, as if to taunt us. In the eagles talons is a dog, which looks like a hyena, baring its teeth. The capital depicts a story from Aeniad, where Jupiter becomes infatuated with the handsome shepherd boy, Ganymede, and according to his stochastic variable of the story, sends an eagle down to abduct the boy. Ganymede then serves as Jupiters cupbearer, and this evokes green-eyed monster from Juno, thus incurring her wrath which is supposedly one of the factors that begins the Trojan War. V irgils version of the story is similar, but includes the visual element of the barking dog and the guardians on the side, unable to aid the boy. Both story versions come from Antiquity.As I began analyzing this capital, it took me a while to get a grasp on what was waiver on. There is a lot of content crammed into a small lay on this capital. All the figures are oversized and in extremely shut up proximity to one another. I noticed the caricature-like portrayal of the figures. This seems to be the grapheme in all the capitals at Vzelay. I was particularly kindle in the facial expressions. The face of Ganymede is filled with dear and confusion as he hangs upside down. The dog looks frightening and angry, but it is unclear to me if he is sided with Jupiters eagle or if he is... ... Meaning on a Capital Representing the Fall of Man. Tradito 55 (2000) 105-123.Forsyth, Ilene H. The Ganymede Capital at Vzelay. Gesta 15, zero(prenominal) 1/2. Essays in Honor of SumnerMcKnight Crosb y. (1976) 241-246.Kolve, V. A. Ganymede/Son of Getron chivalric Monasticism and the Drama of Same-Sex Desire. Speculum 73, no 4 (1998) 1014-1067.Mills, Robert. Gender, Sodomy, Friendship, and the Medieval Anchorhold. Journal of Medieval Religious Cultures 36, No. 1 (2010) 1-27.Quinn, Patricia A. Better Than the Sons of Kings Boys and Monks in the Early Middle Ages. (New York, 1988)Van Buren, Anne H. Review of Ganymed Studien zur Typologie, Ikonographie und Ikonologie by Gerda Kempter. Speculum 57, No. 3 (1982) 624-625.Wolfthal, Diane. A Hue and a Cry Medieval Rape Imagery and Its Transformation. The Art Bulletin 75, No. 1 (1993) 39-64.